I have always liked the famous Paul Klee quote about drawing being taking a line for a walk. To me, painting is being stopped in my tracks by light, color, and shape.
I work from observation (either directly, or from drawings and watercolors made on-site) because the results are much richer and more interesting than anything I could make up. There is often an interval of several years between an initial sketch and a final painting. On several occasions while driving around town I have been shocked to realize that a view I have just finished painting no longer exists because something has been built or torn down.
Landscape has been my main subject for the past fifteen years because it offers more visual information than I could possibly capture. The images I make are therefore never entirely descriptive, but rather, I hope, evocative of what struck me the hardest about a scene.
Many of the works in this show are views from three to twenty-four stories above street level. Because we live in a flat land, aerial views usually offer more to look at, including the acute angles I am attracted to for no reason I am conscious of.
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